Post a Comment. Friday, July 22, Region 1 - Ilocos Region. Ilocos Region. Merchants from Japan and China would often visit the area to trade gold with beads, ceramics and silk. The inhabitants of the region believed to be of Malay origin, called their place "samtoy", from "sao mi toy, which literally meant "our language". Inwhen the Spanish conquistadors had Manila more or less under their control, they began looking for new sites to conquer.

Legaspi's grandson, Juan de Salcedo, volunteered to lead one of these expeditions. Together with 8 armed boats and 45 men, the 22 year old voyager headed north.

As they sailed along the coast, they were surprised to see numerous sheltered coves "looc" where the locals lived in harmony. As a result, they named the region "Ylocos" and its people "Ylocanos. History Juan de Salcedo, after occupying the town settlement of Vigan, pressed further north to Laoag which at that time was also a center of population.

The Augustinian missionaries established the Laoag parich in with St. William, the Hermit as its Patron Saint. Laoag eventually became the capital of Ilocos Norte. At that time, the province occupied the coastal plain bordering the China Sea and guarded by the Cordilleras in the northwestern corner of Luzon.

Construction of the church was started in and completed in Paraiso ni Anton. Timmangtang Rock. A national shrine, a national landmark, a national museum, heritage museums, ancestral houses, period houses, cobble-stoned streets — they all share space in the timeless land of Ilocos Sur.

Established in the 16th century, Vigan is the best preserved example of a planned Spanish colonial town in Asia.

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Its architecture reflects the coming together of cultural elements from elsewhere in the Philippines and from China with those from Europe to create a unique culture and townscape without parallel anywhere in East and Southeast Asia. Its Kamestizoan District is replete with ancestral houses with ancient tiled roofs, massive hardwood floorings, ballustrades and azoteas in varying Spanish-Mexican-Chinese architectural styles.

Centuries-old Sta.

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Maria Church, declared a National Landmark, was used as a fortress during the Philippine Revolution of Vigan remains to be the capital town of Ilocos Sur.Burnay is unglazed earthen jars, an industry that dates back to pre-colonial times when immigrants from China came and settled in Vigan. Burnay jars have small openings, and its earlier use were for tea drinking, storage for water, rice grains and as container for salt, brown sugar, local wine basi and bagoong fermented fish.

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It is even said that basi and bagoong taste much better when stored inside burnays. The potter uses a grade A clay that is widely available in the western area of Vigan. Fine sand is used as a tempering material to achieve the desired shape, afterwards, it will be placed inside a high-temperature ground kiln made of brick and clay.

Because of this, people say that burnay jars are harder and durable compared to terra cotta. The art and technology of making burnays were brought to Vigan by Chinese artisans. For which, the art of making burnays existed in the area of Vigan right before the Spaniards came in These Chinese artisans, who built this industry relied on the locals of Vigan for their clay and labor.

The industry of making burnays prosper inwhen Pedro Go, a Chinese settler from Chinkang, in Fukien, Mainland China set-upped his camarin jar factory along what is now known as Rivero Street in Brgy.

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Nowadays, varieties of burnay jars are made, mostly for decorative purposes. People buy them mostly to serve as decorations inside their homes and gardens. Burnay jars are also sought-after by foreign and local tourists. It has reached the markets abroad, especially in Europe.

Foreign and local traders made contact with burnay factory owners to order not only the traditional designs of burnay but as well according to their preferences. The art of making burnay stood the test of time and continues to showcase Filipinos artistry and craftsmanship.

Highly quality products and preserved tradition: Burnay jars of Vigan, Ilocos Sur. Or, follow me on Facebook or Instagram to know the newest scoop from me. Feel free to email for any questions or comment below. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email.The art of the Philippines refers to the works of art that have developed and accumulated in the Philippines from the beginning of civilization in the country up to the present era.

Philippine art reflects to its society and non-Filipinos the wide range of cultural influences on the country's culture and how these influences honed the country's arts. The art of the Philippines can be divided into two distinct branches, namely, traditional arts, and non-traditional arts.

Present-day scholars believe these religious and cultural influences came mostly through trade with Southeast Asian thassalocratic empires such as the Srivijaya and Majapahitwhich in turn had trade relationships with India. Scholars such as Milton Osborne emphasize that despite these beliefs being originally from India, they reached the Philippines through Southeast Asian cultures with Austronesian roots. The artifacts reflect the iconography of the Vajrayana Buddhism and its influences on the Philippines' early states.

The copper Buddha 's of Ma-i metal relics — "The gentleness of Tagalog customs that the first Spaniards found, very different from those of other provinces of the same race and in Luzon itself, can very well be the effect of Buddhism "There are copper Buddha's" images.

This was shown by certain jewelry, made from a chambered nautilus' shell, where tiny holes were created by a drill-like tool. A Buddhist image was reproduced in mould on a clay medallion in bas-relief from the municipality of Calatagan. According to experts, the image in the pot strongly resembles the iconographic portrayal of Buddha in SiamIndia, and Nepal. The pot shows Buddha Amithaba in the tribhanga [11] pose inside an oval nimbus. Scholars also noted that there is a strong Mahayanic orientation in the image, since the Boddhisattva Avalokitesvara was also depicted.

Art of the Philippines

The archipelagos of Southeast Asia were under the influence of Hindu TamilGujarati and Indonesian traders through the ports of Malay-Indonesian islands. Indian religions, possibly an amalgamated version of Hindu-Buddhist arrived in the Philippine archipelago in the 1st millennium, through the Indonesian kingdom of Srivijaya, followed by Majapahit. Archaeological evidence suggesting exchange of ancient spiritual ideas from India to the Philippines includes the 1.

A study of this image was made by Dr. Bosch, of Batavia, inwho came to the conclusion that it was made by local workmen in Mindanao, copying a Ngandjuk image of the early Majapahit period — except that the local artist overlooked the distinguishing attributes held in the hand. It probably had some connection with the Javanese miners who are known to have been mining gold in the Agusan-Surigao area in the middle or late 14th century. The image is apparently that of a Sivaite goddessand fits in well with the name " Butuan " signifying " phallus ".

Juan Francisco suggests that the golden Agusan statue may be a representation of goddess Sakti of the Siva-Buddha Bhairava tradition found in Javain which the religious aspect of Shiva is integrated with those found in Buddhism of Java and Sumatra. The Rajahnate of Butuanin present-day Agusan del Norte and Butuan City, used Hinduism as its main religion along with indigenous Lumad nature-worships. Ina laborer working in a sand mine at the mouth of Lumbang River near Laguna de Bay found a copper plate in Barangay Wawa, Lumban.

It is the earliest known written document found in the Philippines, dated to be from the late 9th century CE, and was deciphered in by Dutch anthropologist Antoon Postma. The copperplate inscription suggests economic and cultural links between the Tagalog people of Philippines with the Javanese Medang Kingdomthe Srivijaya empire, and the Hindu-Buddhist kingdoms of India. Hinduism in the country declined when Islam was introduced by traders from Arabia which was then followed by Christianity from Spain.

The Lingling-o sometimes also spelled "ling-ling-o" are an "omega shaped" [18] type of pendant or amulet that has been associated with various indigenous cultures of the Philippines since the early metal age.

Otley Beyer, who adapted it from the Southern Ifugao name for such ornaments. Earlier historians have posited that the earliest lingling-o artifacts found in the Philippines were created outside of the archipelago, but an expedition to the northern Philippine province of Batanesled by archeologist Peter Bellwood in the early s, led to the discovery of a lingling-o workshop, complete with construction tools and fragments.

The find provides evidence of indigenous Philippine manufacture of lingling-o as early as 2, years ago. The vernacular architecture of the Philippines is diverse and developed according to the traditions, history and influences exposure experienced by each culture or society.

They ranged from simple Bahay Kubo which is the basis of all Filipino cultural architecture which gave way to houses like Bahay na batoup to the palaces such as Torogansfortifications like the Classical Kota's and IdjangsColonial Forts and mega structure such as Banaue Rice Terraces which is built from carving of the mountain walls, and Mosques in Mindanao.

Architectures like Baroque was adopted to the Filipino culture, making their own interpretation through the Filipino culture climate and environment. One of the product of Filipino Baroque is the Earthquake Baroquewhich is especially designed to adapt to the earthquake prone environment of the Philippines. Philippine weaving involves many threads being measured, cut, and mounted on a wooden platform.

The threads are dyed and weaved on a loom. Before Spanish colonization, native Filipinos weaved using fibers from abacacotton, and bark cloth.

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Textiles, clothes, rugs, and hats were weaved. Baskets were also weaved and used as vessels of transport and storage, and for hunting.By Ahikam Pasion September 28,pm. Her artwork is made from milkfish bones. Jessica Lopez collected the fish bones from milkfish deboners in Dagupan City and placed them together on 48 x 36 inches plywood with black background.

Since childhood, Lopez said she noticed her affinity towards the arts, already winning various competitions related to poster-making, literary graphic design, and painting. However, inshe started focusing on artworks made from fish bones, wherein she transfers her emotions and concepts in a form of conceptualism, abstract and mixed medium. The shortlisted entries were then sent to an exhibit at the Far Eastern University FEUalongside the exhibit sale of artworks by previous winners.

The Maningning Miclat Art Award is an annual national competition, which aims to herald a new breed of young artists in memory of the award-winning artist, poet, and educator Maningning Miclat.

Copyright Philippine News Agency. Privacy Policy Terms of Use. Toggle navigation GOV. Pangasinan local artist wins prestigious art award By Ahikam Pasion September 28,pm. Share Share. Related Stories. Government Links.Dec 2, By The-Bern-Traveler. Abra is a province in the Cordillera Administrative Region CAR that is notorious for its records of election-related violence more than any other thing.

Development is slow in this province and not much is really happening inside. It is, therefore, not at all surprising that this place is not one of those that would be in your priority of places to see in the Philippines: to mention that you are going to Abra to other Filipinos will surely invite some stare of judgment and even dissent.

The Tingguians, also called Isneg, are engaged in various crafts. The most important of which is bamboo crafts production. In documenting the production of natural dyes from plants, the team went to the Tingguian village of Namarabar in Penarubia, a town an hour away from the capital Bangued.

The charm of Abra stems from the fact that it is not at all in the tourism map. Indeed, it is highly ignored by outsiders. Hence, our experience in this rustic province can only be as natural and authentic as we can get. Indigenous dyeing is obviously a dying art. They see colours. Bernard Joseph Esposo Guerrero is a self-confessed cultural junky. Based in the Philippines, he has delivered several talks on tourism, destination promotion and management, and the importance of cultural conservation.

Instagram: theberntraveler. Hi Bernard…would you know if they also produce bamboo hand towels? I heard the it is in Abra that the government trained to produce bamboo fibres. Hi Bernard. First of all I would like to thank you for featuring my province and for writing about it in a positive light.

Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Notify me of follow-up comments by email. Notify me of new posts by email. How did we, on the other hand, see Abra?Today, the popularity of collage is on the rise again and a new generation of young artists such as Dina Gadia is rediscovering the practice by combining different materials charmingly by hand to isolate and expose choice images and to obtain new effects.

A painter and a collage artist, Dina Gadia entered the art scene in by participating in group exhibitions with other artists of her generation. Her early works are influenced by Pop, Surrealism and Imagism and referenced diverse sources such as advertisements, history, science, fine arts, cinema B-movie posters in particularcomics, accessories of everyday life and the new globalized pop culture.

In this July interview, Dina Gadia introduces herself and her works and points out how time and the element of excitement holds up a mirror to our times. Tell me about you. I was born October 28, in Anda, Pangasinan. I grew up with my aunt.

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I was with her family since I was two years old. Beware of the Look that Kills Do you have siblings? Kill Your Idols How were you introduced to art when you were growing up?

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I was fascinated with all the Disney and Looney Tunes and cute kitten notebook covers of my cousins and the comics that I often borrow from our neighbors. I wanted to make one of those so I grabbed a pencil and paper and started drawing Donald Duck, Bugs Bunny, Sylvester, etc.

Vulgar Display of Power Which local and foreign painters had an influence on your art? Jayson Oliveria and RM de Leon.

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Rip Off Horror Whose style are you drawn to during your student years? Not really. At first, I thought that to be able to show your works in a gallery, you have to like rent or pay for the space, although there are still art spaces out there for rent.

A Fear To Remember Do you read a lot of books? Most of my books are coffee-tables and art books. All Outta Angst Have you traveled?

What is the museum that made an impression on you? Myth of the Mainstream. What was your first job after graduating from the Far Eastern University in ? I was working in publishing.

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I make art during free time and attend exhibits. I also participated in several group shows. This was from March until mid of Concepcion is a studio artist whose work experiments with intense emotion, deconstructing images in his paintings, sculptures, and installations.

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He creates art like recording a music album, where each painting is from a series of nine. He is a graduate of the University of the Philippines, with a Bachelor in Fine Arts while under the mentorship of pioneer conceptual artist Roberto Chabet.

Concepcion returned to Manila in with a triumphant solo show at the U. He remains active on the Asian art scene and is a recent recipient of the 13th Artists Award by the Cultural Center of the Philippines. He initially taught in the same school after graduating but found his true calling as a visual artist after his first solo exhibition at the Drawing Room in Makati in His paintings are a dramatic union of comic sketches, reality, and graffiti.

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He draws inspiration from Asian mythology, Catholicism, science fiction and comic book characters. He has received artist residences in Singapore and Australia and was awarded the 13 Artists Award by the Cultural Center of the Philippines in His large-scale public art uses common objects and materials found in everyday environments. In the sand dunes of Paoay, Ilocos Norte, Leeroy collaborated with the local government to convert discarded water tanks and cement fountains into a post-apocalyptic park filled with sculptures.

His most recent grant from the Burning Man Global Arts foundation was used to transform the most polluted waterway in Manila, the Pasig Riverwith floating installations — challenging views on the environment. Born in Caloocan City, Manila, Villamiel is a multimedia artist known for his large-scale installations consisting of objects found in local communities. His art career may have started later in life, but his installations have enthralled audiences for the past decade.

He initially worked as a set designer for television, a leather bag craftsman and a successful t-shirt company entrepreneur before holding his first solo exhibition in The bullhorn installation was made to look like a terrain of weeds when viewed at a certain angle. His massive installation Payatas, which features thousands of doll heads, was chosen to represent the Philippines in the Singapore Biennale exhibition in It took him two-and-a-half years to finish this work.


Another Caloocan native, Dexter practices a variety of mediums ranging from painting to street art and animation. Fernandez has exhibited extensively in top galleries in the Philippines and abroad, including in Paris, New York, and the Singapore Biennale. Brother to artist Diokno Pasilan, Neil is a Bacolod-born artist from a family of craftsmen and boat builders. He is a self-taught visual artist who displayed creativity as a child.

Pasilan has moulded clay figures for most of his life and continues to use this in his work. Currently based in Manila, he has become known for his paintings that hold multiple layers, using different mediums to expose new forms. He illogically arranges texts and icons to compose a painting, depicting the human form in new ways. His work draws from popular culture, the media and mass consumerism. He also creates sculptures and massive art installations — such as his Bomba series — and blings out discarded Jukeboxes.

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